New music exhibits novelty in its situation, presentation, compositional process, performance practice, or outcome. In some pieces, that novelty is dependent on or derived from the use of technology.
ADKOM (A Different Kind of Measure), composed by Edmund Campion (2001-present), is written for four percussionists equipped with special in-ear computer generated clicktracks. The piece is divided into seven short etudes, with each exploring a different aspect of musical time.