New music exhibits novelty in its situation, presentation, compositional process, performance practice, or outcome. In some pieces, that novelty is dependent on or derived from the use of technology.
L’Autre (The Other)
L'AUTRE.stereo.mp3
Live recording from the Berkeley Tempo Festival (2001) with Dan Kennedy, William Winant, percussion, Zach Maupin, horn, Agnes Lee, Harp and Lauren Carley, Soprano with David Milnes, Conducting
Version IRCAM
ELLIPSIS, 1995
Acquario Romano, Rome, Italy
In collaboration with artists Andrew Ginzel and Kristen Jones
June 21 from sunset to midnight
Sponsored by: Commune di Roma
American Academy in Rome
Dimensions: H 70' x W. 45' x D. 135' (21.3 x 13.7 x 41.1 m.)
Elements: 4,000 water filled glasses
Hemispherical vessels
Bay laurel trees
Circumnavigating solar light
Mirrors
Full mp3 -
ELLIPSISII.mp3
Recorded at CNMAT in 2000-01
Edmund Campion, piano
members of the University Chorus at UC Berkeley, vocals
Released on CD, P.S.1 Volume: Bed of Sound
Mathematica, for solo flute(s) and quadriphonic tape is the first from a set of four pieces entitled Quadrivium. The four pieces in Quadrivium are designed to be played either individually or together as a complete uninterrupted cycle. All the pieces are committed in one way or another to exploring the spatialization of sound.
Xavier Chabot, flute
Losing Touch (duration 11') for vibraphone and fixed electronics was composed in 1994. The piece is published by Billaudot Editions (Catalog #GB7027) in Paris (Theodor Presser, US representative). A complete published edition with rehearsal CD and mono performance tape is available for student performance from several on-line dealers.
