A look back at some items in our archives.
Jon Kulpa’s works explore sound mass, algorithmically generated sound texture, spatial sound, and interactivity. His most recently completed project, QuBits, is a virtual reality (VR) sound-space. A user navigates this environment while wearing a VR headset, encountering many virtual characters that each have a type of appearance and sonic identity. Using hand controllers, a user is able to affect the audiovisual behavior of virtual charac
Julie Herndon is an Oakland-based composer and performer. Her work explores the body’s relationship to the self, to performance, and to tools like musical instruments and personal technologies. Recent projects include compositions for JACK Quartet, Ensemble Dal Niente, and Ensemble Proton Bern, and performances at MATA Festival in New York, Artistry Space in Singapore, Musée des Beaux-Arts in France.
Hallie Smith is a musician based in Berkeley, California. Her research is oriented towards building soft circuits/sensors, coding, installations, and emotional music. Previous and upcoming collaborations for Hallie include: the Eco Ensemble, the SMASH ensemble, saxophonist Drew Whiting, writer/producer Felix M., The Boston Conservatory Contemporary Performance Ensemble, bartender Mel Johnson. Kayla Cashetta is a composer whose work incorporates analog, digital, and acoustic instruments and practices.
The music of award-winning composer Antonio Juan-Marcos has been described as “seductive and sensitive” (ResMusica), music that “introduces rich acoustic universes” (Diapason), filled with “beautiful, mysterious, and delicate atmospheres” (Musikzen).
Peter S. Shin 신세종 (b. 1991) is a composer whose music navigates issues of national belonging, the co-opting and intermingling of disparate musical vernaculars, and the liminality between the two halves of his second-generation Korean-U.S. American identity. The New York Times described him as “a composer to watch” and his music “entirely fresh and personal” following his premiere at Carnegie Hall. Nathan Corder is an Oakland-based composer of works for electronics, objects, and arrays of people.
Alfred was born in Kyiv, Ukraine, with a Ukrainian mother and a Cuban father. After accomplishing his bachelor's exam in composition, Alfred continued with master studies in Malmö Academy of Music with Prof. Luca Francesconi. Alfred received his master's degree in spring 2015 after graduating with his second chamber opera "Clownen Jac".
Myra Melford, Professor of Music in the Department of Music is an Affiliate Artist at CNMAT. Professor Melford, a pianist, composer, and bandleader—whom the New Yorker called “a stalwart of the new-jazz movement”—has spent the last three decades making brilliant original music that is equally challenging and engaging.
Transparent yet richly multifaceted, Cindy Cox’s compositions synthesize old and new musical designs. The natural world inspires many of the special harmonies and textural colorations in her compositions, as in her piano trio la mar amarga, the octet Cañon, and the str
David Milnes presently serves as music director of the UC Berkeley Symphony Orchestra, conductor of the Berkeley Contemporary Chamber Players, and Director of the ECO Ensemble (Ensemble in Residence at CNMAT and the Department of Music). Ken Ueno is a Professor of Music in the Department of Music and an Affiliate Artist at CNMAT. He is a composer, vocalist, improviser, and sound artist. His music celebrates artistic possibilities which are liberated through a Whitmanesque consideration of the embodied practice of unique musical personalities.
Oakland, CA-based oboist Kyle Bruckmann tramples genre boundaries in widely ranging work as a composer/performer, educator and New Music specialist.
Claudia Hart emerged as part of that generation of 90s intermedia artists in the “identity art” niche, but now updated through the scrim of technology. Her work is about issues of the body, perception, nature collapsing into technology and then back again. Everything is fluid in it including gender.
Aditi Raja is an undergraduate researcher at CNMAT. She is currently a student at UC Berkeley studying Computer Science and Music.
Imran Sekalala is an undergraduate researcher at CNMAT. He is currently studying Data Science with an emphasis in Data Arts and Humanities. He is also minoring in Environmental Design. At CNMAT, Imran is working with Professor Edmund Campion on an upcoming release of the CNMAT Depot 2.0 software package with a focus on CNMAT Spectral Tools. Theocharis Papatrechas is a visiting Researcher and Composer at CNMAT through November, 2021. Composer, sound artist, improviser /piano, drums, electronics/ Eda Er is a composer, multimedia artist, and vocalist whose work integrates storytelling, sound, and visual media to explore themes of identity, belonging, trauma, and cultural heritage. She combines electronic music, classical composition, traditional Turkish visual arts, and installation with emerging technologies to challenge artistic boundaries. Jeremy Lee is a pianist, researcher, and a recent Computer Science graduate from UC Berkeley. At CNMAT, Jeremy primarily works with Professor Carmine Cella on developing software for music, particularly in the space of human-performed music. Jeremy’s most recent project at CNMAT was in developing a web application that gives real-time dynamics feedback to a musical performer. The project was an investigation of potential metrics an
Julie Herndon
Hallie Smith
Kayla Cashetta
Antonio Juan-Marcos
Peter S. Shin
Nathan Corder
Alfred Jimenez
Myra Melford
Cindy Cox
David Milnes
Ken Ueno
Kyle Bruckmann
Claudia Hart
Aditi Raja
Imran Sekalala
Theocharis Papatrechas
Rafal Zapala
post-doctorate degree (habilitation) /composition/
associate professor at Academy of Music in Poznan
Eda Er
Jeremy Lee
Pages