Archive

The music of award-winning composer Antonio Juan-Marcos has been described as “seductive and sensitive” (ResMusica), music that “introduces rich acoustic universes” (Diapason), filled with “beautiful, mysterious, and delicate atmospheres” (Musikzen).

Nathan Corder is an Oakland-based composer of works for electronics, objects, and arrays of people.

Transparent yet richly multifaceted, Cindy Cox’s compositions synthesize old and new musical designs.  The natural world inspires many of the special harmonies and textural colorations in her compositions, as in her piano trio la mar amarga, the octet Cañon, and the str

David Milnes presently serves as music director of the UC Berkeley Symphony Orchestra, conductor of the Berkeley Contemporary Chamber Players, and Director of the ECO Ensemble (Ensemble in Residence at CNMAT and the Department of Music). 

Oakland, CA-based oboist Kyle Bruckmann tramples genre boundaries in widely ranging work as a composer/performer, educator and New Music specialist.

Claudia Hart emerged as part of that generation of 90s intermedia artists in the “identity art” niche, but now updated through the scrim of technology. Her work is about issues of the body, perception, nature collapsing into technology and then back again. Everything is fluid in it including gender.

Aditi Raja is an undergraduate researcher at CNMAT. She is currently a student at UC Berkeley studying Computer Science and Music.

Imran Sekalala is an undergraduate researcher at CNMAT. He is currently studying Data Science with an emphasis in Data Arts and Humanities. He is also minoring in Environmental Design. At CNMAT, Imran is working with Professor Edmund Campion on an upcoming release of the CNMAT Depot 2.0 software package with a focus on CNMAT Spectral Tools.

Theocharis Papatrechas is a visiting Researcher and Composer at CNMAT through November, 2021.

Composer, sound artist, improviser /piano, drums, electronics/
post-doctorate degree (habilitation)  /composition/
associate professor at Academy of Music in Poznan

Eda Er is a composer, sound artist, and singer currently based in the San Francisco Bay Area. Her artistic pursuits primarily revolve around exploring expressivity and narrativity in her music. Drawing upon a diverse range of mediums, including singing, composition, analogue and digital electronics, video, theatricality, and storytelling, she creates a multifaceted and immersive musical experience.

Jeremy Lee is a pianist, researcher, and a recent Computer Science graduate from UC Berkeley.  At CNMAT, Jeremy primarily works with Professor Carmine Cella on developing software for music, particularly in the space of human-performed music.  Jeremy’s most recent project at CNMAT was in developing a web application that gives real-time dynamics feedback to a musical performer.  The project was an investigation of potential metrics an

Jeremy Hunt is a composer, poet, and creative technologist based in Oakland. After graduating UC Berkeley with a PhD in Music Composition with a Designated Emphasis in New Media in 2008, Jeremy embarked on a career in education administration, teaching, and pedagogy in the private education sector. 

George Papajohn (b. 1998 Milwaukee) is a composer and instrumentalist based in the San Francisco Bay Area. His recent work engages with latent tensions of identity held within the material, historical, and phenomenological aspects of sound.